Staff & Board

Glenn Elston OAM has directed over 250 seasons Shakespeare, Classic Works, Musicals and Family Theatre. A prominent figure in Australian theatre, he is particularly known for pioneering outdoor picnic theatre in Australia and creating immersive, family-friendly experiences that have become beloved traditions. Elston began his journey in 1987, forming a small performance collective that has since grown to be Australia's largest independent theatre company. His dedication to making Shakespeare and other classic stories accessible to a broad audience has led to the production of iconic outdoor performances, particularly during the summer season, attracting audiences from across the nation. His repertoire includes celebrated productions of A Midsummer Night's Dream, Twelfth Night, Romeo and Juliet, The Taming of the Shrew, Much Ado About Nothing, Richard III, Comedy of Errors, Henry IV - Part I, Richard III, Merry Wives of Windsor, Hamlet, Macbeth, and As You Like It. Beyond Shakespeare, he has written and directed original stage adaptations of beloved stories like The Wind in the Willows, Alice in Wonderland, Toad’s Birthday Party, The Caribbean Pirates, Jack and the Beanstalk, Tinkerbell and the Dream Fairies and Jungle Book – The Next Chapter. His productions of classic texts includes Lady Chatterley's Lover, Wuthering Heights, The Crucible and Pygmalion. In 1987, Glenn was founding producer of the Melbourne International Comedy Festival which has gone on to become the 3rd largest comedy festival in the world. Glenn also was a founding member of the Melbourne Comedy Club, originally based at the Hilton Hotel and formed with Rita Rudner, Martin Bergman, Michael Edgely Group, Greg Hocking and Tim Woods. In 1990, Glenn was co-producer of Hair which opened in Melbourne and then began a tour around Australia. Glenn took over as tour director in Sydney and travelled with the production to venues in Camperdown, Adelaide, Canberra, Perth, Townsville, Cairns, Kuranda, Darwin, Wollongong, Launceston, Hobart, Newcastle and Tweed Heads. In 2002, He adapted and directed Much Ado About Nothing into a rock musical with his regular songwriting collaborator, Paul Norton. This adaptation has toured Australia and has enjoyed sold out seasons in many Australian capitols. Six of Glenn’s productions have appeared in five different Adelaide Festivals. Since 2003, Glenn has been collaborating with Djilpin Arts and co-presented the Walking with Spirits festival - a powerful celebration of Aboriginal traditions held at Malkgulumbu (Beswick Falls) in the Northern Territory. This partnership is this ongoing. Furthermore, in 2010 he produced Noel Tovey’s acclaimed production Little Black Bastard to the Edinburgh’s Gilded Balloon, further amplifying Indigenous voices on the international arts scene. In 2014, Glenn directed and designed a new Australian touring production of Godspell the Musical which played seasons at Arts Centre Melbourne, Royal Botanic Gardens Melbourne, Traralgon, Sale, Warragal and the Sydney Opera House. Glenn has produced many local and international acts over the years including Sir George Martin in Concert with Glenn Shorrock, The John Farnham Band, James Rayne & Tommy Amanuel (QPAC, Hammer Hall at Arts Centre Melbourne and the Sydney Opera House), David Strassman, The Heartbreak Kid, Blues in the Night, The Life and Death of Sandy Stone (Barry Humphries), Five Guys Named Moe, Bitch! Dyke! Faghag! Whore! (Penny Arcade), A Stretch of the Imagination and three Australian Tours of Marianne Faithfull including a special performance of Bertolt Brecht and Kurt Weill’s Seven Deadly Sins. In recognition of his contributions, Glenn Elston was honoured with a Melbourne Award for Contribution to Melbourne's Profile by an Individual in 2014 and the Medal of the Order of Australia (OAM) in 2018 for his service to the performing arts. He is the Artistic Director of the Australian Shakespeare Company (ASC) and a director at A.T. Management. This year, Glenn is bringing three productions to London's Royal Botanic Gardens, Kew. It will mark his seventh season there.

Peter’s career in live performance and theatre production spans more than 15 years, combining hands-on technical knowledge with a focus on producing and managing large-scale events. Since 2013, Peter has worked with the Australian Shakespeare Company (ASC), developing a close collaboration with theatre director Glenn Elston OAM. Over the past decade, he has managed more than 100 seasons of theatre across Melbourne, Sydney, and Adelaide, as well as internationally through a nine-year relationship with Royal Botanic Gardens, Kew in London. His work with ASC has included outdoor Shakespeare, family theatre, musical theatre, and special events, helping bring productions such as Hamlet, Macbeth, Twelfth Night, As You Like It, The Wind in the Willows, Alice in Wonderland, and Tinkerbell and the Dream Fairies to audiences across Australia and the UK. Peter’s role at ASC covers production management, touring logistics, technical coordination, and ticketing integration, working closely with venues, presenting partners, and creative teams. Alongside this, as a lighting designer, creating designs for productions including Maria Stuarda and Lucia di Lammermoor with Melbourne Opera, Rise and Fall of the City of Mahagonny with iOpera, Godspell with Room 8 Productions, Walking with Spirits Festival with Djilpin Arts, Songs for a New World and Guilty Pleasures with Blue Saint Productions, and A Midsummer Night’s Dream for ASC’s international touring season. Peter is Melbourne Based and lives with wife Katie and their two dogs, Lucky and Scully.

After working with ASC for the past five years, Kelly was appointed Company Manager in 2025. Her passion for theatre led her to complete a Bachelor of Arts at La Trobe University and build over ten years of experience in Production and Stage Management. Throughout her career, Kelly has supported both national and international tours across independent and professional theatre sectors. Some shows she has worked on include Dys-Order-Ed by Pam Wood (Green Room Award Nominated) (La Mama), Three Magpies Perched in a Tree by Glenn Shea (Green Room Award for Best New Writing) (La Mama), The Crucible by Arthur Miller directed by Syd Brisbane (ASC), and The Marriage of Figaro (Melbourne Opera).

Sue-Ellen has been in the dance industry for nearly four decades. A graduate of the Victorian College of the Arts, her career covers all facets of dance, in Australia and internationally, including Film, Television, Musical Theatre, Music Concerts, Sporting Events and Corporate Entertainment. Sue-Ellen has choreographed episodes for the TV shows House Husbands and So You Think You Can Dance. Her stage choreography credits include Motherhood The Musical and Menopause TheMusical. She has been resident choreographer for the Australian Shakespeare Company for over 10 years in Australia and England. Her performance credits include: ”Baby Doll” for Baz Luhrmann’s Moulin Rouge, “Demon Woman”on the Stan series Preacher and lead dancer for the ABC’s The Divorce. Stage credits include A Chorus Line(Australian Tour) Starlight Express (in Germany), and Tiger Lily in the Sydney production of Pan, The Production Company’s Oklahoma, Boy from Oz, 42nd Street, Pajama Game, Sugar and Promises Promises, as well as the role of “Moth” in multiple seasons of ASC’s “Tinkerbell and the Dream Fairies.”

Paul played bass in various bands, including The Runners, Wendy and the Rocketts, and Steve Hoy and the Hoy Boys, before launching a solo career in 1988. Signed to Mushroom Records, his single "Stuck On You' reached number two on Australian charts. The single from his album "Under a Southern Sky" was later chosen for Australia Day celebrations at the 2000 Olympics in Sydney. Paul toured Australia with The Countdown Spectacular, performing to 100,000 people nationwide in 2006. As the Musical Director for The Australian Shakespeare Company, he wrote the scores for Much Ado About Nothing, Jungle Book - The Next Chapter, Romeo and Juliet, Midsummer Night's Dream, Hamlet, As You Like It, The Dream Fairies, Barassi the Stage Show, Alice in Wonderland, and the comedy Certified Male.

Glenn Elston OAM has directed over 250 seasons Shakespeare, Classic Works, Musicals and Family Theatre. A prominent figure in Australian theatre, he is particularly known for pioneering outdoor picnic theatre in Australia and creating immersive, family-friendly experiences that have become beloved traditions. Elston began his journey in 1987, forming a small performance collective that has since grown to be Australia's largest independent theatre company. His dedication to making Shakespeare and other classic stories accessible to a broad audience has led to the production of iconic outdoor performances, particularly during the summer season, attracting audiences from across the nation. His repertoire includes celebrated productions of A Midsummer Night's Dream, Twelfth Night, Romeo and Juliet, The Taming of the Shrew, Much Ado About Nothing, Richard III, Comedy of Errors, Henry IV - Part I, Richard III, Merry Wives of Windsor, Hamlet, Macbeth, and As You Like It. Beyond Shakespeare, he has written and directed original stage adaptations of beloved stories like The Wind in the Willows, Alice in Wonderland, Toad’s Birthday Party, The Caribbean Pirates, Jack and the Beanstalk, Tinkerbell and the Dream Fairies and Jungle Book – The Next Chapter. His productions of classic texts includes Lady Chatterley's Lover, Wuthering Heights, The Crucible and Pygmalion. In 1987, Glenn was founding producer of the Melbourne International Comedy Festival which has gone on to become the 3rd largest comedy festival in the world. Glenn also was a founding member of the Melbourne Comedy Club, originally based at the Hilton Hotel and formed with Rita Rudner, Martin Bergman, Michael Edgely Group, Greg Hocking and Tim Woods. In 1990, Glenn was co-producer of Hair which opened in Melbourne and then began a tour around Australia. Glenn took over as tour director in Sydney and travelled with the production to venues in Camperdown, Adelaide, Canberra, Perth, Townsville, Cairns, Kuranda, Darwin, Wollongong, Launceston, Hobart, Newcastle and Tweed Heads. In 2002, He adapted and directed Much Ado About Nothing into a rock musical with his regular songwriting collaborator, Paul Norton. This adaptation has toured Australia and has enjoyed sold out seasons in many Australian capitols. Six of Glenn’s productions have appeared in five different Adelaide Festivals. Since 2003, Glenn has been collaborating with Djilpin Arts and co-presented the Walking with Spirits festival - a powerful celebration of Aboriginal traditions held at Malkgulumbu (Beswick Falls) in the Northern Territory. This partnership is this ongoing. Furthermore, in 2010 he produced Noel Tovey’s acclaimed production Little Black Bastard to the Edinburgh’s Gilded Balloon, further amplifying Indigenous voices on the international arts scene. In 2014, Glenn directed and designed a new Australian touring production of Godspell the Musical which played seasons at Arts Centre Melbourne, Royal Botanic Gardens Melbourne, Traralgon, Sale, Warragal and the Sydney Opera House. Glenn has produced many local and international acts over the years including Sir George Martin in Concert with Glenn Shorrock, The John Farnham Band, James Rayne & Tommy Amanuel (QPAC, Hammer Hall at Arts Centre Melbourne and the Sydney Opera House), David Strassman, The Heartbreak Kid, Blues in the Night, The Life and Death of Sandy Stone (Barry Humphries), Five Guys Named Moe, Bitch! Dyke! Faghag! Whore! (Penny Arcade), A Stretch of the Imagination and three Australian Tours of Marianne Faithfull including a special performance of Bertolt Brecht and Kurt Weill’s Seven Deadly Sins. In recognition of his contributions, Glenn Elston was honoured with a Melbourne Award for Contribution to Melbourne's Profile by an Individual in 2014 and the Medal of the Order of Australia (OAM) in 2018 for his service to the performing arts. He is the Artistic Director of the Australian Shakespeare Company (ASC) and a director at A.T. Management. This year, Glenn is bringing three productions to London's Royal Botanic Gardens, Kew. It will mark his seventh season there.

Dr Rhett Martin is an Associate Professor at the University of Southern Queensland, specialising in business law, environmental law, and sustainability regulation. With a career spanning academia, legal practice, and publishing, his work focuses on the intersection of law, sustainable governance, and ecological protection. He is Editor of the International Journal of Agriculture Law and Sustainability and has taught across business law, ethics, environmental law, corporate governance, and finance law at leading Australian universities.